![[audio]](/images/mediatype_audio.gif) | EKO014-MEDIACOMPOSER-QUAI BRANLY EKO014-MEDIACOMPOSER-QUAI BRANLY Keywords: EKO014-MEDIACOMPOSER-QUAI BRANLY Downloads: 36 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. a cine-geography. Third Text issue 25 by the editors - Kodwo Eshun and Ros Gray Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center and Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the c... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; eshun; gray; militant image; quai Branly; betonsalon; postcolonial; university Paris III Downloads: 110 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography. J.F.Costa. When Cinema forges the event.the case of Torre Bela - Jose Felipe Costa Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; eshun; gray; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Torre Bela; Costa Downloads: 16 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography. J. Buchsbaum. One, Two... Third Cinema - Jonathan Buchsbaum Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; eshun; gray; militant image; quai Branly; betonsalon; postcolonial; Paris III University Downloads: 30 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography. O.Hadouchi. Pan-African Festival of Algiers and Lusophone Africas revolution - Olivier Hadouchi Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; eshun; gray; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Hadouchi; Lusophone; Africa; festival Downloads: 54 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography. Roundtable with the day s participants / L'image militante : une ciné-géographie. Table ronde avec les participants de la journée Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; eshun; gray; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Hadouchi; Lusophone; Africa; festival Downloads: 27 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. M. K. Abonnenc. Notes autour Des fusils pour Banta. Un film de Sarah Maldoror - Mathieu K. Abonnenc Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Sarah Maldoror; Abonnenc; revolutionary screen Downloads: 27 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. T.Castro. Artistes-historiens? Archives, memoire et explorations documentaire Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; artist historian; revolutionary screen Downloads: 31 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. R.Schefer. Reconstitutions autour de Mueda, Memoria e Massacre - Raquel Schefer Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Mueda; memoria e massacre; Lusophone; Africa; festival; cinema engage; Scheffer; revolutionary screen; Mozambican revolution Downloads: 22 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography.F.Lecointe. Les elephants du bout du monde - François Lecointe Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Lecointe; Lusophone; Africa; festival; cinema engage; Chris Marker Downloads: 30 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. M.Dickinson. Flashbacks to a Continuing Struggle - Margaret Dickinson Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Margaret Dickinson; revolutionary screen; frelimo Downloads: 19 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. R.Gray. The Vanguard of the World. Mozambican Cinema and the turn to Militancy in African Liberation - Ros Gray Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Ros Gray; revolutionary screen; Mozambican revolution Downloads: 35 Average rating: (1 review) |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. L.Ramos Monteiro. Passages d images - Lucia Ramos Monteiro Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Lusophone; Africa; festival; cinema engage; revolutionary screen; frelimo Downloads: 13 |
![[audio]](/images/mediatype_audio.gif) | The Militant Image. A Cine-geography. N.Brenez. Edouard de Laurot : l'engagement comme prolepse - Nicole Brenez Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Edouard de Laurot Downloads: 80 |
![[audio]](/images/mediatype_audio.gif) | Lusophone Africas, revolutionary screen. Sarah Maldoror in conversation with Mathieu Kleyebe Abonnenc Entitled 'The Paths to Revolution. Film, Images and Revolutions in the 1960s and 1970s', this seminar organized by Betonsalon, art and research center, Esthetique du Cinema et des Images from Paris III University, Sorbonne Nouvelle and the Salon de lecture Jacques Kerchache of the musee du quai Branly, aims to gather researchers, artists and filmmakers around these questions. Taking the form of screenings, presentations and debates, these two complementary days explore the links between the cine... Keywords: militant; geography; cinema; third text; revolution; 1960; 1970; third cinema; liberation movement; militant image; quai Branly; betonsalon; postcolonial; Paris III University; Brenez; Lusophone; Africa; festival; cinema engage; Sarah Maldoror; revolutionary screen; Mozambican revolution Downloads: 46 |
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